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“The thing about Instagram and any other social media platforms is that it's just a tool, and often, like you said, people will follow along because they saw or heard a clip that you did that they connected with, and they just to keep coming back for more. never been easier to get your name out there and to meet like-minded individuals. For the young people that aren't able to go out every night and jam, do open mics and just network, I'd say its absolutely perfect for that these days. Do you think it could and has changed the way some people enjoy music – are there some listeners who enjoy checking out clips on there might might not listen to whole albums? You’re active on Instagram and it’s obviously a great place for people to discover artists. I'm always trying to get better at that as its a never-ending process.“ I want to be taken on a journey with a beginning, a middle and an end. I want to try to solo the way that I would like to hear someone do it. “I always think it's not about what you're playing but how you're playing it. Everyone has a different voice and a different way of getting their ideas out. Just like song writing, I think soloing is just as subjective. I think the majority of musical communities think of improvisation as only one way compared to their heroes and if its short of that, its probably not good enough. Your extended solos live are special, and there’s one in particular solo on your version of Angeline from your show in Witney last year that rightly got a lot of attention online and you posted a great video about it online where you highlight the idea of the solo as a journey, do you feel that solos can be misconstrued by some players as a competition or chops showcase? “I could say that lots of those elements are kind of subconscious now, but that doesn't mean that I'm not checking the work constantly and second guessing if something could be done better or differently.“ If anything, the great impact came from mic'ing techniques and experimenting with room sounds and post-production I used a lot of the same stuff that I used on the last record, my Two Rock Traditional Clean, Frank the Tank.
I'm just trying to make each song have some kind of a satisfying pay off either lyrically or musically – ideally both.
“The sounds, the mood, the melody and the overall big picture definitely are things that I pay close attention to when recording. One of the things that really shines in your work is how well the songs flow – sonically and melodically – is this an unconscious thing for you now? If I like the melody, then I will use the lyric as a place starter just to get the wheels moving and either change it or keep it and write around it.“ “Sometimes I have a lyric in mind with a melody that I feel is strong but don't know exactly what the lyric is supposed to mean yet. Nine out of 10 times it will start with a melodic hook, a chord progression or a guitar idea and then I will go from there. What tends to be the genesis of a song for you – a vocal hook or a guitar part?
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